
Death Proof is the latest installment from Quentin Tarentino, a writer/director who is often known simply by his last name, not because he asked for it, but because saying his full name too often is somehow considered a sign of disrespect in the movie making arena. Perhaps he is the inspiration for A.K. Rawling’s Wizarding World’s Fear of saying Voldemort’s name out loud. Tarentino’s new movie is a creative and original idea that completely comes out of left field to blindside you with movie going satisfaction. In a time of third and fourth chapters of tired sequels, this movie was down right fun. It’s about a killer played by Kurt Russell who uses the ultimate weapon in his work, his car. How cool!
The first part of the movie is classic Tarentino dialogue, so sharp and witty that you want to laugh and discuss each line with your friends the moment it ends, but that you don’t for fear of missing the artistry of the next. The kind that seems to go on forever, but when it’s over still leaves you wanting for more. When movies so often change camera angles fast enough to make me motion sick, its fun to see a movie that has entire scenes filmed on one roll in a single take.
The second part of the movie shows the killer in action. Although what follows were extraordinarily mind-boggling car chases, stunts, and wrecks, it doesn’t seem like you are watching a movie stunt, but actual collisions on the interstate on your way home from work. It was all very “edge of your seat”, “white knuckles” type of stuff. I’m still scratching my head wondering if it was all for real or just another computer comb over. Either way, it all seemed really real, which made it all the better. Reacting together with the audience to every crunch of steel, peel-out of rubber in loose gravel, dead end road, head-on collision, T-bone collision, and rev of the engine was uncontrollable. Having a girl lie on the hood of one of the cars for half of one of the chases trying not to get thrown off is icing on the cake. Sprinkle in some hilarious lines and pack it together like a snowball in winter and you’re left holding the greatest car chase in movie making history.
Bravo, he-who-must-not-be-named, bravo!
4 Stars
The first part of the movie is classic Tarentino dialogue, so sharp and witty that you want to laugh and discuss each line with your friends the moment it ends, but that you don’t for fear of missing the artistry of the next. The kind that seems to go on forever, but when it’s over still leaves you wanting for more. When movies so often change camera angles fast enough to make me motion sick, its fun to see a movie that has entire scenes filmed on one roll in a single take.
The second part of the movie shows the killer in action. Although what follows were extraordinarily mind-boggling car chases, stunts, and wrecks, it doesn’t seem like you are watching a movie stunt, but actual collisions on the interstate on your way home from work. It was all very “edge of your seat”, “white knuckles” type of stuff. I’m still scratching my head wondering if it was all for real or just another computer comb over. Either way, it all seemed really real, which made it all the better. Reacting together with the audience to every crunch of steel, peel-out of rubber in loose gravel, dead end road, head-on collision, T-bone collision, and rev of the engine was uncontrollable. Having a girl lie on the hood of one of the cars for half of one of the chases trying not to get thrown off is icing on the cake. Sprinkle in some hilarious lines and pack it together like a snowball in winter and you’re left holding the greatest car chase in movie making history.
Bravo, he-who-must-not-be-named, bravo!
4 Stars

